We name files for the media plan: campaign, motif, aspect, language. The editor’s private timeline names stay in the suite.
Colour-managed stills and video sit in parallel folders with a short readme: LUT, white, and what was approved.
Raws stay in our working storage unless bought. What the client receives is what they licensed.
A year later, brands ask for a new crop. If the archive is clean, that is a morning. If it is a pile, it is a new job.
We keep the working project for the revision window in the estimate. After that, restore is a quoted retrieval, not a favour.
The company began with commercial stills and grew because clients asked for the same eye on moving image. Today the roster covers directors of photography, stills photographers, colorists, editors, and CG artists who share a lighting language. We produce in studio and on location, with a finishing suite in Chișinău that receives every project — so grade, graphics, and delivery are not an afterthought handed to a stranger.