Questions

Booking, ownership, HDR, CGI, and how stills and film share a day.

Do you shoot stills and film on the same day?

Yes, when the plot allows. We design light that holds for a locked hero still and for coverage. If the still needs a modifier that will not travel into motion, we split the day rather than fake it.

Where are you based?

The studio and finishing suite are at str. Mihai Eminescu 15, Chișinău. We travel with a core crew in Europe and hire locally when the story needs it.

Can you deliver HDR and social cutdowns?

HDR masters, Rec.709, and platform cutdowns are part of finishing. We need the media plan early so aspect ratios are shot, not cropped as an afterthought.

Who owns the files?

Copyright stays with the studio until invoices are paid, then usage follows the contract (territory, term, media). Raw camera files are working material unless a raw license is bought.

How early should we book?

Four to six weeks is comfortable for a campaign with casting and locations. A stills-only studio day can be held faster if the diary is open.

Do you work with agency producers?

Daily. We take treatments, call sheets, and version lists from agency teams and return files that fit their traffic, not a private naming scheme.

Can you match an existing brand LUT?

Bring the LUT, control stills, and a product white. We match cameras and hold skin rather than stacking another look on top.

What about 3D and live action together?

Look-dev starts on set: grey and chrome balls, HDRI, and an empty stand in the key light. CGI is graded with the plate, not dropped in after the film is locked.