Interviews get a boom and a lav, not a camera mic ‘for safety’. Safety is a second recorder, not a worse microphone.
Wild tracks and room tone are shot even when the day is stills-heavy. A future cutdown will need them.
Music is licensed for the territories in the contract. A temp track that cannot be bought is not a creative direction; it is a trap.
Mix happens with picture, on speakers that resemble the client’s world — a laptop and a television, not only a suite.
We deliver stems when versions will be recut. A printed mix alone is how a six-month-later social cut sounds like a different film.
The company began with commercial stills and grew because clients asked for the same eye on moving image. Today the roster covers directors of photography, stills photographers, colorists, editors, and CG artists who share a lighting language. We produce in studio and on location, with a finishing suite in Chișinău that receives every project — so grade, graphics, and delivery are not an afterthought handed to a stranger.